ASSIGNMENT 4

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Alternate Vision

Photography has been used since its invention for proof, or evidence, of a place or event - which is a legitimate use, of course. But photographers have always known that photographs can lie, always lie in some ways.

Perhaps an interesting twist is to consider that a photograph that “lies” may tell a greater truth. In the previous assignments we have explored how photographs can suggest, imply or evoke a thought or feeling by how the subject is depicted. Are not our illustrative tools of lighting, cropping, perspective, design, etc. in fact distortions of the subject; a step away from some pretext of objective documentation.

Certainly the digital age has brought the fabrication and manipulation of images more to the forefront of popular culture, though even the most cursory survey of the history of photography shows these issues have been explored since photography’s invention. It will be interesting to see if, and how, the culture will change its concept of photographic veracity.

In this assignment I want you to explore the idea of an alternate vision; a different way of seeing the world, or perhaps seeing a different world. An alternate or different truth expressed photographically. This is a very open-ended assignment – and not a “Photoshop” assignment per se. You may want to alter or manipulate the image in Photoshop, but you can also achieve an excellent image with an original capture by simply how and what you photograph.

However you create your image, there should be a point to the technique used. Simply morphing an image with weird colors and transformations is not enough, there must be a point to the technique.

Perhaps with this assignment you should start with an idea or vision you want to express, and then fabricate an image that conveys your intentions. I’m not saying you have to, but so much of the tradition of photography (and the methodology of so many beginning photo students) is to “go out and find a picture”. I’d like you to explore the idea of creating an image – rather than finding.

There is no specific quantity of captures or prints required. “A” work will reflect a serious and in-depth investigation of the assignment.

Due at critique:
At LEAST 2 images (this assignment may require more, but that is up to you)
Your contact sheets

Explore your ideas, do good work.
And have fun!